As a little girl it was easy to understand that people have feelings for animals. I raised a couple of puppies, and my family bred dogs. It was also easy to recognize that the dogs had feelings for one another. Puppies had relationships with their siblings and mother. Puppies got emotional. Their mother got emotional too.
It was obvious that animals have emotions for people and other animals.
It was obvious that people have feelings for other people and animals.
I objectify animals less when I recognize how people and animals share similar. It is easy to relate to animals.
What I learned about dogs is that they love their offspring, they often love one another unless they are territorial - just like people, they like to eat, play, rest, and enjoy life. Like people they feel fear and want to be safe. Like people they thrive with love and appreciation. Like people, they enjoy being helpful. They love a good meal and a comfy place to lay their weary bones. They like to walk!
Isn't it obvious that so many animals feel the same ways as dogs, or in similar ways appropriate to the unique circumstances for the animals?
I'm writing this because I just saw an interesting utube where the comment was made that it is hard for people to relate to these animals. (in this case seals) This surprised me because i think it is VERY easy if we notice the similarities of our needs and desires. We humans are very much like seals. We eat, mate, love our offspring, want to be safe and enjoy ourselves. We want a home free of pollution!!! - oh I had to throw that in there!!
What is difficult to understand?
So, to tie this into composing, as I have mentioned, I have an ongoing life project called, "In adoration of the earth" . In this series I compose music in adoration of animals, and aspects of life on earth.
Other blogs mention the pieces already composed in this series.
One thing I LOVE to do is to compose music specifically for people to play that are in adoration of an animal that they love, or an aspect of nature.
Okay, thanks for visiting.
Musically yours,
Kathryn